{"id":1393,"date":"2019-08-21T18:25:44","date_gmt":"2019-08-21T18:25:44","guid":{"rendered":"http:\/\/www.synconset.com\/home\/?p=1393"},"modified":"2019-11-25T21:09:43","modified_gmt":"2019-11-25T21:09:43","slug":"writing-the-details-how-to-explain-costumes-and-sets-on-the-page","status":"publish","type":"post","link":"https:\/\/www.synconset.com\/home\/writing-the-details-how-to-explain-costumes-and-sets-on-the-page\/","title":{"rendered":"Writing the Details: How to Explain Costumes and Sets on the Page"},"content":{"rendered":"<h6>By: Jason Hellerman<\/h6>\n<p><span style=\"font-weight: 400;\">If you\u2019re a screenwriter you\u2019ve probably been here before: you can see something in your head so vividly, but you have no idea how to get it onto the page.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Don\u2019t worry, we\u2019re here to help!<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">How many details are too many details in screenwriting?<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">One of the delicate balances in screenwriting is creating a colorful and visual world with characters who have distinct voices and styles <\/span><i><span style=\"font-weight: 400;\">while<\/span><\/i><span style=\"font-weight: 400;\"> simultaneously \u201cstaying in your lane\u201d as the writer. It is vital to remember that you are not the director (so take it easy on all those camera cues) and you are not the actor (so spare us all the performance notes).\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Similarly, a screenwriter is neither a Costume Designer nor a Set Designer, so too many details on costumes or sets are generally considered a faux pas in your script.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Additionally, lengthy background descriptions would bog down the pacing of your script and are often left up to the Cinematographer in addition to the Costume or Set Designers (and, of course, the Holy Director).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">However, if you are introducing a location or a character for the first time &#8212; or if a given piece of wardrobe or set design are important to the actual story &#8212; you can have a more detailed scene description. For instance, a screenplay character bio might include, in the action lines, \u201cAdam wears his everyday uniform of black jeans and a black t-shirt.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Because the writer has now established this, they do not need to write that Adam is wearing this get-up in every single scene description for the rest of the screenplay.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Similarly, a scene description example could include \u201cEve\u2019s apartment is cramped and dirty with a malfunctioning ceiling lamp that constantly flickers.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This gives the reader insight into who Eve is as a character, and what her world is like, but would appear in the opening of a scene description (after a slugline) rather than in a screenplay character bio.<\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/KxDwieKpawg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<h2><span style=\"font-weight: 400;\">Okay, I get the basics of scene description, what else do I need?\u00a0<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">To use the screenplay formats of successfully-shot scripts, turning to a screenplay example &#8212; in fact, an Academy Award-nominated screenplay example &#8212; \u201cAdaptation\u201d could prove particularly beneficial.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A page one scene description example features a screenplay character bio by Charlie Kaufman, which reads that the protagonist is \u201ca fat, balding man in a purple sweater with tags still attached.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In this screenplay description example, the screenwriting basics and screenplay format are adhered to, while Kaufman still inserts some color into the writing.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The fact that the protagonist wears a sweater with tags still attached tells the reader so much about the character in just a few words about his \u201ccostume.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">And in the movie, we see that he wears this new purple sweater often. As if it\u2019s his only new clothing&#8230;and only nice clothing.<\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/7_HpQA3rLWw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">From screenplay character bios to scene descriptions to screenplay format, there is nothing \u201cbasic\u201d about the screenwriting basics. One need only Google the question \u201cWhat does a script look like?\u201d to get countless examples. The dirty truth is, screenplay formatting is <\/span><i><span style=\"font-weight: 400;\">slightly<\/span><\/i><span style=\"font-weight: 400;\"> malleable for writers who know the rules inside and out and are then in a position to break them. <\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/8FMTjykZ_Tc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">So the more script examples you find &#8212; whether they\u2019re store-bought, hard-copy shooting scripts of Oscar-winning screenplays or PDFs of contest-winning scripts you can download off the internet &#8212; the more it will help you generally master screenplay format. <\/span><\/p>\n<h2><span style=\"font-weight: 400;\">What else is there to know about screenplay description?\u00a0<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">Screenplay description examples, screenplay character bio examples, and general examples of what a script looks like should be read in bulk rather than simply going by the screenplay example by your favorite writer.<\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/u4IXNOO_YkQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">There are screenwriting basics like capitalizing character names upon introduction in your screenplay character bio, but then there are more specific screenplay formatting guidelines about costumes and sets.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Those screenplay format guidelines dictate that screenwriters should leave the costuming up to the costume designers and the set-dressing up to the set designers unless it is tantamount to the <\/span><i><span style=\"font-weight: 400;\">reader<\/span><\/i><span style=\"font-weight: 400;\"> understanding the world or the characters.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">After all, screenplays are visual blueprints, not novels, and what a script looks like is not always pretty; screenplay character bios and scene descriptions will often include words in all-caps (usually the names), parentheses (often for the age), and can look like someone vomited all over the page.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">But as long as your action lines are broken into chunks of about four lines or less, the screenplay format police shouldn\u2019t file any charges against you. Whether you\u2019re using Final Draft or Movie Magic Screenwriter or FadeIn &#8212; please not Microsoft Word if you can avoid it &#8212; the screenplay format and scriptwriting basics are fairly built into the programs.<\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/q4GrVg-MwSc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">For more screenplay format\/script examples (which should help with screenwriting basics and giving you an answer to the overall question of \u201cwhat does a script look like?\u201d), it is worth going on Google and searching for the screenplay example of your favorite movie (ie. Googling \u201cAll The President\u2019s Men PDF\u201d) just to see if it is available.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">Summing Up Writing The Details<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">People think the screenplay is only the story of the movie, but it\u2019s actually a blueprint. Every department needs a clear and concise script to work off. From locations to sets, hair, and makeup.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The clearer you are on the page, the more likely it is that you\u2019ll see your vision hit the screen. You\u2019ll also make it easier on everyone else involved, and help their imaginations flourish.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Now that you know how to capture your vision on the page, go out and get writing! <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By: Jason Hellerman If you\u2019re a screenwriter you\u2019ve probably been here before: you can see something in your head so vividly, but you have no idea how to get it onto the page.\u00a0 Don\u2019t worry, we\u2019re here to help! How many details are too many details in screenwriting? One of the delicate balances in screenwriting [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1395,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[30,31,56],"_links":{"self":[{"href":"https:\/\/www.synconset.com\/home\/wp-json\/wp\/v2\/posts\/1393"}],"collection":[{"href":"https:\/\/www.synconset.com\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.synconset.com\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.synconset.com\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.synconset.com\/home\/wp-json\/wp\/v2\/comments?post=1393"}],"version-history":[{"count":3,"href":"https:\/\/www.synconset.com\/home\/wp-json\/wp\/v2\/posts\/1393\/revisions"}],"predecessor-version":[{"id":1497,"href":"https:\/\/www.synconset.com\/home\/wp-json\/wp\/v2\/posts\/1393\/revisions\/1497"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.synconset.com\/home\/wp-json\/wp\/v2\/media\/1395"}],"wp:attachment":[{"href":"https:\/\/www.synconset.com\/home\/wp-json\/wp\/v2\/media?parent=1393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.synconset.com\/home\/wp-json\/wp\/v2\/categories?post=1393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.synconset.com\/home\/wp-json\/wp\/v2\/tags?post=1393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}